Circus 4d3s31
ebook ∣ or, Moira Orfei in Aigues-Mortes: A Novel 4i6a3u
By Wayne Koestenbaum r3hf

Sign up to save your library 4g436f
With an OverDrive , you can save your favorite libraries for at-a-glance information about availability. Find out more about OverDrive s.
Find this title in Libby, the library reading app by OverDrive.

Search for a digital library with this title 353d38
Title found at these libraries: 67n5u
Library Name | Distance |
---|---|
Loading... |
A new edition of a “dazzlingly seductive” fever dream written in “brilliant poetic vernacular” (Bookforum) by a beloved poet and cultural critic, now with an introduction by Rachel Kushner.
For five years, concert pianist Theo Mangrove has been living at his family’s home in East Kill, New York, recovering from a nervous breakdown that derailed his career, and attempting to relieve his relentless polysexual appetite in the company of male hustlers, random strangers, music students, his aunt, and occasionally his wife. As he prepares for a comeback recital in Aigues-Mortes, a walled medieval town in southern , he becomes obsessed with the idea that the Italian circus star Moira Orfei must him there to perform alongside him.
Extravagantly (and tragicomically) describing his hallucinatory plans in a series of twenty-five notebooks, he assembles an incantatory meditation on performance, failure, fame, decay, and delusion.
"If Debussy and Robert Walser had collaborated on an opera, it would sound like this. —John Ashbery
For five years, concert pianist Theo Mangrove has been living at his family’s home in East Kill, New York, recovering from a nervous breakdown that derailed his career, and attempting to relieve his relentless polysexual appetite in the company of male hustlers, random strangers, music students, his aunt, and occasionally his wife. As he prepares for a comeback recital in Aigues-Mortes, a walled medieval town in southern , he becomes obsessed with the idea that the Italian circus star Moira Orfei must him there to perform alongside him.
Extravagantly (and tragicomically) describing his hallucinatory plans in a series of twenty-five notebooks, he assembles an incantatory meditation on performance, failure, fame, decay, and delusion.
"If Debussy and Robert Walser had collaborated on an opera, it would sound like this. —John Ashbery